Research Article
Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs
263 downloads
@INPROCEEDINGS{10.1007/978-3-319-49616-0_24, author={Fares Kayali and Christoph Bartmann and Oliver H\o{}dl and Ruth Mateus-Berr and Martin Pichlmair}, title={Po\'{e}me Num\^{e}rique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs}, proceedings={Intelligent Technologies for Interactive Entertainment. 8th International Conference, INTETAIN 2016, Utrecht, The Netherlands, June 28--30, 2016, Revised Selected Papers}, proceedings_a={INTETAIN}, year={2017}, month={1}, keywords={Technology-mediated audience participation TMAP Live music Smartphones High-frequency sound IDs}, doi={10.1007/978-3-319-49616-0_24} }- Fares Kayali
Christoph Bartmann
Oliver Hödl
Ruth Mateus-Berr
Martin Pichlmair
Year: 2017
Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs
INTETAIN
Springer
DOI: 10.1007/978-3-319-49616-0_24
Abstract
In this paper we discuss a setup for technology-mediated audience participation using smartphones and high-frequency sound IDs. Drawing from the insights of a research project on audience participation in live music we describe a setup for playful music interaction composed of smartphones. In this setup the audience needs to install a smartphone app. Using high-frequency sound IDs music samples and colors can be triggered on the audience’s smartphones without the need to have an internet connection. The resulting soundscape is determined by the samples and parameters selected by the artist as well as by the location audience members choose in the performance space.
Copyright © 2016–2024 ICST
