Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs

Fares Kayali; Christoph Bartmann; Oliver Hödl; Ruth Mateus-Berr; Martin Pichlmair

Intelligent Technologies for Interactive Entertainment. 8th International Conference, INTETAIN 2016, Utrecht, The Netherlands, June 28–30, 2016, Revised Selected Papers

Research Article

Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs

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@INPROCEEDINGS{10.1007/978-3-319-49616-0_24,
    author={Fares Kayali and Christoph Bartmann and Oliver H\o{}dl and Ruth Mateus-Berr and Martin Pichlmair},
    title={Po\'{e}me Num\^{e}rique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs},
    proceedings={Intelligent Technologies for Interactive Entertainment. 8th International Conference, INTETAIN 2016, Utrecht, The Netherlands, June 28--30, 2016, Revised Selected Papers},
    proceedings_a={INTETAIN},
    year={2017},
    month={1},
    keywords={Technology-mediated audience participation TMAP Live music Smartphones High-frequency sound IDs},
    doi={10.1007/978-3-319-49616-0_24}
}

Fares Kayali
Christoph Bartmann
Oliver Hödl
Ruth Mateus-Berr
Martin Pichlmair
Year: 2017
Poème Numérique: Technology-Mediated Audience Participation (TMAP) Using Smartphones and High-Frequency Sound IDs
INTETAIN
Springer
DOI: 10.1007/978-3-319-49616-0_24

Fares Kayali¹^,*, Christoph Bartmann¹^,*, Oliver Hödl¹^,*, Ruth Mateus-Berr²^,*, Martin Pichlmair³^,*

1: Vienna University of Technology
2: University of Applied Arts Vienna
3: IT University of Copenhagen

*Contact email: fares@igw.tuwien.ac.at, cbartmann@gmx.at, oliver@igw.tuwien.ac.at, ruth.mateus-berr@uni-ak.ac.at, mpic@itu.dk

Abstract

In this paper we discuss a setup for technology-mediated audience participation using smartphones and high-frequency sound IDs. Drawing from the insights of a research project on audience participation in live music we describe a setup for playful music interaction composed of smartphones. In this setup the audience needs to install a smartphone app. Using high-frequency sound IDs music samples and colors can be triggered on the audience’s smartphones without the need to have an internet connection. The resulting soundscape is determined by the samples and parameters selected by the artist as well as by the location audience members choose in the performance space.

Keywords: Technology-mediated audience participation TMAP Live music Smartphones High-frequency sound IDs

Published: 2017-01-05
Appears in: SpringerLink

: http://dx.doi.org/10.1007/978-3-319-49616-0_24