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EAI Endorsed Transactions on Creative Technologies

Issue 7, 2016
Editor(s)-in-Chief: Matei Mancas

  • Video Streaming Analysis in Vienna LTE System Level Simulator

    Appears in:
    ct 16(7): e1

    Authors:
    Zakaria Ye, Tania Jimenez, Rachid El-Azouzi

    Abstract:
    The demand for multimedia services in mobile communication is increasing day by day due to the proliferation of end devices. To overcome the future needs of data communication on mobile devices, the $ 3^{rd} $ Generation Partnership Project (3GPP) has introduced a new technology which is known as L…The demand for multimedia services in mobile communication is increasing day by day due to the proliferation of end devices. To overcome the future needs of data communication on mobile devices, the $ 3^{rd} $ Generation Partnership Project (3GPP) has introduced a new technology which is known as Long Term Evolution (LTE) UMTS. In this paper, we study video streaming behavior on the LTE network. For this purpose, we use the Vienna LTE System Level Simulator which implements network features that correspond to our goal. We consider the parameters that may affect the users experience on a network and define ten scenarios for our simulations. We finally search for methods to fit the video streaming data traffic on the LTE network and exhibit its long range dependence.
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  • Breathing Expression for Intimate Communication Corresponding to the Physical Distance and Contact between Human and Robot

    Appears in:
    ct 16(7): e2

    Authors:
    Naoto Yoshida, Yukari Nakatani, Tomoko Yonezawa

    Abstract:
    In this paper, we propose living-being-like breathing expressions concurrent with both aspiration and utterances using a stuffed-toy robot in order to enable intimate interactions. The focus of the research is the impression of the intimacy between the robot and the user corresponding to the physic…In this paper, we propose living-being-like breathing expressions concurrent with both aspiration and utterances using a stuffed-toy robot in order to enable intimate interactions. The focus of the research is the impression of the intimacy between the robot and the user corresponding to the physical distance of the two. From the factor analysis of the impression for the word "intimacy" and the distance between the robot and the participants, it is conjectured that the physical intimacy showed strong effects in terms of both warm empathy and tranquility.
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  • Implementation of Human Cognitive Bias on Naïve Bayes

    Appears in:
    ct 16(7): e3

    Authors:
    Hidetaka Taniguchi, Tomohiro Shirakawa, Tatsuji Takahashi

    Abstract:
    We propose a human-cognition inspired classification model based on Naïve Bayes. Our previous study showed that human-cognitively inspired heuristics is able to enhance the prediction accuracy of text classifier based on Naïve Bayes. In the study, our classification model showed higher performa…We propose a human-cognition inspired classification model based on Naïve Bayes.
    Our previous study showed that human-cognitively inspired heuristics is able to enhance the prediction accuracy of text classifier based on Naïve Bayes.
    In the study, our classification model showed higher performance than conventional Naïve Bayes under specific conditions.
    In this paper, to investigate the mechanism that realizes the higher performance of classification, we further tested our model and its modified variant.
    As a result, our two models showed slightly different behaviors, but both of them achieved higher performance than conventional Naïve Bayes.
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  • Facilitating Requirements Inspection with Search-Based Selection of Diverse Use Case Scenarios

    Appears in:
    ct 16(7): e4

    Authors:
    Huihui Zhang, Tao Yue, Shaukat Ali, Chao Liu

    Abstract:
    Use case scenarios are often used for conducting requirements inspection and other relevant downstream activities. While working with industrial partners, we discovered that an automated solution is required for optimally selecting a subset of use case scenarios, aiming to enable cost-effective req…Use case scenarios are often used for conducting requirements inspection and other relevant downstream activities. While working with industrial partners, we discovered that an automated solution is required for optimally selecting a subset of use case scenarios, aiming to enable cost-effective requirements inspection. In this paper, relying on a natural language based use case modeling methodology to specify requirements as use case models and derive use case scenarios automatically, we propose a search based and similarity function based approach to optimally select most diverse use case scenarios from the ones automatically generated from the use case models. We conducted an empirical study to evaluate the performance of various search algorithms together with eight similarity functions, through an industrial case study and six case studies from the literature. Results show that the search algorithms significantly outperformed Random Search and (1+1) Evolutionary Algorithm together with the Normalized Longest Common Subsequence (NLCS) similarity function performed significantly better than the other 31 combinations of the search algorithms and similarity functions for most of the problems.
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  • Eye-tracking Data, Complex Networks and Rough Sets: an Attempt Toward Combining Them

    Appears in:
    ct 16(7): e5

    Authors:
    Boleslaw Jaskula, Jaroslaw Szkola, Krzysztof Pancerz, Aneta Derkacz

    Abstract:
    Eye-tracking sequences can be considered in terms of complex networks. On the basis of complex network representation of eye-tracking data, we define a measure, derived from rough set theory, for assessing the cohesion of sacade connections between object components identified in visual stimuli use…Eye-tracking sequences can be considered in terms of complex networks. On the basis of complex network representation of eye-tracking data, we define a measure, derived from rough set theory, for assessing the cohesion of sacade connections between object components identified in visual stimuli used in eye-tracking experiments. Theoretical foundations given in the paper are supplemented with a numerical example explaining the proposed approach.
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Scope

Given the accelerated changes and deeply interconnected activities of the times we are living in, creativity is a key factor of disruptive future developments. Creative and entertainment industries nowadays represent more than 3% of the GDP in Europe and they range from creative content providers (…

Given the accelerated changes and deeply interconnected activities of the times we are living in, creativity is a key factor of disruptive future developments. Creative and entertainment industries nowadays represent more than 3% of the GDP in Europe and they range from creative content providers (TV & radio, fashion, music) through creative experience providers (movies and music experience) to creative services providers (advertising, design, architecture). Creative services, contents and experiences present knowledge requirements that are defined increasingly beyond a single discipline and appear to lie in a sound engagement among the creative practitioner (artist/designer/composer/entertainer), the engineer and the scientist. Digital arts, creative industries, and (tele)communication + (social) signal processing speak the language of convergence rather than autonomy. Their interaction calls for special attention now more than ever.

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Topics

The Journal seeks for high-level contributions addressing several of those aspects with a special focus on at least one of them:

Creative Industries - the paper can describe a whole industrial project or framework integrating creative technologies for domains such as:

  • Creative content provi…

The Journal seeks for high-level contributions addressing several of those aspects with a special focus on at least one of them:

Creative Industries - the paper can describe a whole industrial project or framework integrating creative technologies for domains such as:

  • Creative content providers: TV & radio (broadcast, linked media), fashion (RFID and sensors, energy recycling), music & movies, books (digitization, sonification), museums (creative/artistic installations for tourism or cultural heritage) and media archives, etc.
  • Creative services providers: Advertising (user-centered web and ads optimization), design (communication devices for creative environments), architecture (places that adapt to people, creativity from domotics), new media and transmedia, etc.
  • Creative experience providers: Movies and music experience, game-based installations and playable media (participative creation, DJs and VJs creative tools), interactive social and urban spaces, etc.

Scientific topics - the paper can focus on scientific tools for creative industries on topics such as:

  • Creative content management: Multimedia data mining and innovative browsing, data 2D/3D visualization, digitization and storage, cultural heritage, etc.
  • Creative interactions: Social signal processing, verbal and nonverbal, explicit or implicit interactions, interacting robots, sensors and MoCap, human-computer interaction, user interface design, serious game etc.
  • Creative experiences: Affective content analysis and synthesis, immersive technologies, special effects, augmented reality, expressivity and emotion detection and processing, user experiences, etc.

Additional materials such as videos of installations and setups, public/users reactions and comments, or demo links are welcome.

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Indexing

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Special Issues

Guest editors: Andy Pusca (Danubius University of Galati, Romania)

Call for Papers: Special issue on: The Legal Status of Artificially Intelligent Robots (Manuscri…

Guest editors: Andy Pusca (Danubius University of Galati, Romania)

Call for Papers: Special issue on: The Legal Status of Artificially Intelligent Robots (Manuscript submission deadline: 29-11-2019; Notification of acceptance: 20-12-2019; Submission of final revised paper: 17-01-2020; Publication of special issue (tentative): 31-01-2020)

Guest editors: Nuno N. Correia (University of Greenwich, United Kingdom)

Raul Masu (ITI-LARSyS & FCT/Universidade Nova de Lisboa, Portugal)

Call for Papers: Special issue on: Sound, Image and Interaction (Manuscript submission deadline: 15 December 2019; Notification of acceptance: 15 January 2020; Submission of final revised paper: 1 February 2019; Publication of special issue (tentative): 29 February 2020)

Guest editors: Joaquin Fargas (Maimonides University, Argentina)

Guest editors: Natalia Matewecki (National University of La Plata, Argentina)

Call for Papers: Special issue on: Art at the dawn of the Genetic and AI Revolution (Manuscript submission deadline: 2019-11-28; Notification of acceptance: 2019-12-22; Submission of final revised paper: 2020-01-22; Publication of special issue (tentative): 2020-02-05)

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Editorial Board

  • Albert Ali Salah (Bogazici University, Turkey) 
  • Andy Connor (Auckland University of Technology, New Zealand)
  • Anthony Brooks (SensoramaLab, Aalborg University Esbjerg, Denmark)
  • Anton Nijholt (University of Twente, Netherlands)

  • Antonio Camurri…

  • Albert Ali Salah (Bogazici University, Turkey) 
  • Andy Connor (Auckland University of Technology, New Zealand)
  • Anthony Brooks (SensoramaLab, Aalborg University Esbjerg, Denmark)
  • Anton Nijholt (University of Twente, Netherlands)
  • Antonio Camurri (DIST-University of Genova, Italy)
  • Antonio Camurri (University of Genoa, Italy)
  • Christian Jacquemin (LIMSI-CNRS, France)
  • Christophe d'Alessandro (LIMSI-CNRS, France)
  • Christophe Hurter (ENAC, French Civil Aviation University, Toulouse France)
  • Cristina Sylla University of Minho
  • David Geerts (iMinds - University of Leuven (KU Leuven), Belgium)
  • Dirk Heylen (University of Twente IntetainElsebeth Korsgaard Sorensen)
  • Eva Irene (Brooks Aalborg University)
  • Fabrizio Lamberti (Politecnico di Torino)
  • Gualtiero Volpe (University of Genoa, Italy)
  • Insook Choi (Columbia College Chicago, USA)
  • Jesus Ibanez Escola Municipal d'Art i Disseny (EMAiD)
  • Jonathan Duckworth (RMIT University ArtsIt)
  • Jorge C. S. Cardoso (University of Coimbra, Portugal )
  • Jun Hu (Eindhoven University of Technology, Netherlands)
  • Lau Bee Theng (Swinburne University of Technology Sarawak Campus, Malaysia)
  • Mel Krokos (University of Portsmouth, United Kingdom)
  • Michail Kalogiannakis (Faculty of Education, University of Crete, Greece)
  • Milton Luiz Horn Vieira (UFSC Intetain)
  • Mikkel Kirkedahl Lysholm Nielsen Aalborg University, Denmark
  • Pedro Campos (Intetain)
  • Pieter Jan Maes (McGill University, Canada)
  • Rainer Malaka (University of Bremen)
  • Radu-Daniel Vatavu (University of Suceava, Romania)
  • Robin Bargar (Columbia College Chicago, USA)
  • Rolf Gehlhaar (private ArtsIt Creative Technologies)
  • Robby van Delden (University of Twente)
  • Sudarshan Khanna (National Institute of Design, India)
  • Surabhi Khanna Independent Design Educator & visiting faculty DLI
  • Thierry Dutoit (University of Mons, Belgium)
  • Tiago Cardoso (University Nova of Lisbon, Portugal)
  • Tracy Harwood (De Montfort University, Leicester, United Kingdom)
  • Vincent Courboulay (University of La Rochelle, France)
  • Valentina Nisi (University of Madeira)
  • Yves Rybarczyk (University Nova of Lisbon, Portugal)
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Journal Blurb

An open access journal focused on a whole industrial project or framework integrating creative technologies, creative content management and more, with no publishing fees.

An open access journal focused on a whole industrial project or framework integrating creative technologies, creative content management and more, with no publishing fees.

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Publisher
EAI
ISSN
2409-9708
Volume
3
Published
30th Nov 2016