Research Article
Integrating the Fairlight CVI into the video workflow
@ARTICLE{10.4108/eetct.v9i3.2650, author={D.J.E. Nunn}, title={Integrating the Fairlight CVI into the video workflow}, journal={EAI Endorsed Transactions on Creative Technologies}, volume={9}, number={3}, publisher={EAI}, journal_a={CT}, year={2022}, month={8}, keywords={creative technologies, digital art, DJ and VJ tools}, doi={10.4108/eetct.v9i3.2650} }- D.J.E. Nunn
Year: 2022
Integrating the Fairlight CVI into the video workflow
CT
EAI
DOI: 10.4108/eetct.v9i3.2650
Abstract
The Fairlight Computer Video Instrument (CVI) is one of the earliest video synthesisers, released in 1984. Over time the aesthetic of its effects has evolved from revolutionary to retro. Although MIDI was developed at around the same time, the CVI is controllable via RS232 rather than MIDI. This paper reviews its history and applications in live and studio-based video production environments. A method is outlined for controlling the CVI that allows sequencing of control data, effect automation, and integration with a digital audio workstation. Results are presented from a system using Logic Pro X for sequencing and Processing for MIDI-serial conversion.
Copyright © 2022 D.J.E. Nunn, licensed to EAI. This is an open access article distributed under the terms of the CC BY-NC-SA 4.0, which permits copying, redistributing, remixing, transformation, and building upon the material in any medium so long as the original work is properly cited.
