Proceedings of the 2nd International Seminar on Cultural Sciences of Brawijaya, ISCS 2022, 9–10 November 2022, Malang, Indonesia

Research Article

Tradition-Narrative Reconstruction in Tourism Development of Kampung Budaya Polowijen, Malang City

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  • @INPROCEEDINGS{10.4108/eai.9-11-2022.2333976,
        author={Siti  Zurinani and Muhammad Fatoni Rohman and Fatmawati  Fatmawati},
        title={Tradition-Narrative Reconstruction in Tourism  Development of Kampung Budaya Polowijen, Malang  City},
        proceedings={Proceedings of the 2nd International Seminar on Cultural Sciences of Brawijaya, ISCS 2022, 9--10 November 2022, Malang, Indonesia},
        publisher={EAI},
        proceedings_a={ISCS},
        year={2023},
        month={6},
        keywords={culture history narration thematic tradition village},
        doi={10.4108/eai.9-11-2022.2333976}
    }
    
  • Siti Zurinani
    Muhammad Fatoni Rohman
    Fatmawati Fatmawati
    Year: 2023
    Tradition-Narrative Reconstruction in Tourism Development of Kampung Budaya Polowijen, Malang City
    ISCS
    EAI
    DOI: 10.4108/eai.9-11-2022.2333976
Siti Zurinani1,*, Muhammad Fatoni Rohman1, Fatmawati Fatmawati1
  • 1: Universitas Brawijaya, Indonesia
*Contact email: zurienanis@ub.ac.id

Abstract

The City of Malang has made effort to improve its tourism image by generating 11 thematic tourism concepts based on societal empowerment. One of them is Kampung Budaya Polowijen (KBP). KBP offers a wealth of traditions and unique history such as masks, batik, and the myth of Ken Dedes. This research attempts to visualize the effort of narrative reconstruction, also historical and cultural framing in KBP development. Discovery and reinforcement of cultural traditions as the basis of tourism in KBP was conducted by utilizing the mythological framing of Ken Dedes and the claim to Topeng Malangan of the City of Malang based on the discovery of Mbah Reni’s grave, an art figure who is believed to be important. This reconstructive effort was conducted by uncovering historical narrative of “Panawijen” and cultural commodification by bringing out the cultural icon, Ragil Kuning as part of the distinct story of Kampung Budaya Polowijen.