Research Article
Reinterpretation of the Folk Tale: Siboru Naitang in the Batak Opera "Jiwa yang Terbelah"
@INPROCEEDINGS{10.4108/eai.6-11-2024.2356593, author={Ita Khairani and Russel Akbar Fauzi and Agustina Helena Samosir and Sri Mustika Aulia and Tifan Muhammad Amirulloh}, title={Reinterpretation of the Folk Tale: Siboru Naitang in the Batak Opera "Jiwa yang Terbelah"}, proceedings={Proceedings of the 6th International Seminar of Language, Art and Literature Education, ISLALE 2024, 6 November 2024, Medan, Sumatera Utara, Indonesia}, publisher={EAI}, proceedings_a={ISLALE}, year={2025}, month={12}, keywords={siboru naitang rather wahana batak opera}, doi={10.4108/eai.6-11-2024.2356593} }- Ita Khairani
Russel Akbar Fauzi
Agustina Helena Samosir
Sri Mustika Aulia
Tifan Muhammad Amirulloh
Year: 2025
Reinterpretation of the Folk Tale: Siboru Naitang in the Batak Opera "Jiwa yang Terbelah"
ISLALE
EAI
DOI: 10.4108/eai.6-11-2024.2356593
Abstract
The creation of the Batak Opera Jiwa Terbelah is an effort to transfer the vehicle for the Siboru Naitang folklore. The formal object of this creation is the theory of vehicle transfer and dramatic vision as the basis for analysis. This creation process uses the staging concept of Batak Opera combined with modern theater conventions, namely Stanislavski's acting theory and Bertolt Brecht's multiple sets. The creation methods used include: producing a dramatic vision, writing scripts, acting training, creating spectacles and realizing the unity of the performance. The achievement of this creation process is the Batak Opera performance which offers a presentation of the Siboru Naitang folklore in the form of a Batak Opera performance.
