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Proceedings of the 6th International Seminar of Language, Art and Literature Education, ISLALE 2024, 6 November 2024, Medan, Sumatera Utara, Indonesia

Research Article

Exploration of Abrasion Beach Waste and Soundscape as Inspiration for Creating Musical Compositions

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  • @INPROCEEDINGS{10.4108/eai.6-11-2024.2356565,
        author={Adina Sastra Sembiring and Uyuni  Widiastuti and Ifwanul  Hakim},
        title={Exploration of Abrasion Beach Waste and Soundscape as Inspiration for Creating Musical Compositions},
        proceedings={Proceedings of the 6th International Seminar of Language, Art and Literature Education, ISLALE 2024, 6 November 2024, Medan, Sumatera Utara, Indonesia},
        publisher={EAI},
        proceedings_a={ISLALE},
        year={2025},
        month={12},
        keywords={music composition soundscape waste abration beach},
        doi={10.4108/eai.6-11-2024.2356565}
    }
    
  • Adina Sastra Sembiring
    Uyuni Widiastuti
    Ifwanul Hakim
    Year: 2025
    Exploration of Abrasion Beach Waste and Soundscape as Inspiration for Creating Musical Compositions
    ISLALE
    EAI
    DOI: 10.4108/eai.6-11-2024.2356565
Adina Sastra Sembiring1,*, Uyuni Widiastuti1, Ifwanul Hakim1
  • 1: Faculty of Language and Arts, Music Department,The State University of Medan, Medan, Indonesia
*Contact email: adina@unimed.ac.id

Abstract

This study aims to develop a new approach to music-making based on waste exploration and natural sounds (soundscape) of Kuala Beach, Serdang Bedagai Regency. This study's methodology is qualitative in nature. Observation and documenting techniques are used in the data and information search process. The stages of preparation, data gathering, analysis, and processing, production, and concluding the research findings comprise the research process. The findings of the study show that the method of creating music and videos based on waste and soundscape of Kuala Merdeka Beach consists of a pre-production stage, namely recording various soundscapes and sound engineering from waste in Kuala Merdeka Beach, a production stage consisting of preparation, creating music compositions, and editing, and a pre-production stage consisting of mixing and mastering. The composition of the resulting music composition has four parts. The arrangement of music uses several editing techniques, namely cutting and deleting, copying, and dragging. While some of the effects used consist of delay, fade in / fade out, and panning.

Keywords
music composition, soundscape, waste, abration beach
Published
2025-12-22
Publisher
EAI
http://dx.doi.org/10.4108/eai.6-11-2024.2356565
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