Research Article
The Degradation of the Gendang Lima Sendalanen in the Ceremony of Gendang Guro-guro Aron of the Karonese Community
@INPROCEEDINGS{10.4108/eai.6-11-2024.2356556, author={Lamhot Basani Sihombing and Pulumun Peterus Ginting and Yakobus Ndona and Frinawaty Lestarina Barus and Fillinlife Ginting and Anton Sitepu and Feri Gunawan Tarigan}, title={The Degradation of the Gendang Lima Sendalanen in the Ceremony of Gendang Guro-guro Aron of the Karonese Community}, proceedings={Proceedings of the 6th International Seminar of Language, Art and Literature Education, ISLALE 2024, 6 November 2024, Medan, Sumatera Utara, Indonesia}, publisher={EAI}, proceedings_a={ISLALE}, year={2025}, month={12}, keywords={degradation gendang lima sendalanen gendang guro-guro aron}, doi={10.4108/eai.6-11-2024.2356556} }- Lamhot Basani Sihombing
Pulumun Peterus Ginting
Yakobus Ndona
Frinawaty Lestarina Barus
Fillinlife Ginting
Anton Sitepu
Feri Gunawan Tarigan
Year: 2025
The Degradation of the Gendang Lima Sendalanen in the Ceremony of Gendang Guro-guro Aron of the Karonese Community
ISLALE
EAI
DOI: 10.4108/eai.6-11-2024.2356556
Abstract
The aim of this study is to determine the degradation of gendang lima sendalanen (five drums of sendalanen) in the ceremoby of gendang guro-guro aron (drum of guro-guro aron) of the Karonese community. The research method is a qualitative approach. The data collection techniques are observation, interviews, and documentation. The location of this research is Barus Jahe Village. The results of the study indicate that the original gendang lima sendalanen still consists of five instruments, sarune, singindungi drums, singanaki drums, penganak, gong. The change occurs is that Sarune as the melody carrier is replaced by kulcapi. The continuity of the rhythmic, melodic, and harmonic aspect continues even though the instrument usage has changed by using a keyboard.
