Research Article
Parikan Kentrung Blora: A Javanese Pantoum Variation
@INPROCEEDINGS{10.4108/eai.29-6-2019.2290442, author={Agus Yuwono and Rustono Rustono and Hari Bakti Mardikantoro and Teguh Supriyanto}, title={Parikan Kentrung Blora: A Javanese Pantoum Variation}, proceedings={Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2019, Semarang, Central Java, Indonesia}, publisher={EAI}, proceedings_a={ISET}, year={2020}, month={1}, keywords={javanese pantoum pantoum narrative sampiran isi}, doi={10.4108/eai.29-6-2019.2290442} }- Agus Yuwono
Rustono Rustono
Hari Bakti Mardikantoro
Teguh Supriyanto
Year: 2020
Parikan Kentrung Blora: A Javanese Pantoum Variation
ISET
EAI
DOI: 10.4108/eai.29-6-2019.2290442
Abstract
In number of developed countries, analysis on tourism tendency has been developed academically and institutionalized. This kind of study is considered sufficient if it is implemented in Kentrung performing arts. Kentrung is one of typical art from Blora regency. It is considered a complex art show comprises several sub elements, i.e. narrative story, music, drama, and parikan or pantoum. The target is to describe: the form of Blora Regency’s Javanesse pantoum, its function, as well as its meaning. Results show that the form of a Javanesse Pantoum consists of intervowen quatrains known as sampiran (the pun) and isi (the content). Sampiran is merely created as the introductory part before the actual content in the last two lines. The relation between sampiran and isi is not in terms of its meaning or purpose, but more to the relation of sounds in which the repetition of pattern can be found.