Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2019, Semarang, Central Java, Indonesia

Research Article

The Changes Of Sasando Music Organology In Kupang East Nusa Tenggara

Download931 downloads
  • @INPROCEEDINGS{10.4108/eai.29-6-2019.2290279,
        author={Margareta Sofyana Irma Kaet and Udi  Utomo and Totok Sumaryanto Florentinus},
        title={The Changes Of Sasando Music Organology In Kupang East Nusa Tenggara},
        proceedings={Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2019, Semarang, Central Java, Indonesia},
        publisher={EAI},
        proceedings_a={ISET},
        year={2020},
        month={1},
        keywords={sasando music the changes of traditional sasando organology},
        doi={10.4108/eai.29-6-2019.2290279}
    }
    
  • Margareta Sofyana Irma Kaet
    Udi Utomo
    Totok Sumaryanto Florentinus
    Year: 2020
    The Changes Of Sasando Music Organology In Kupang East Nusa Tenggara
    ISET
    EAI
    DOI: 10.4108/eai.29-6-2019.2290279
Margareta Sofyana Irma Kaet1,*, Udi Utomo1, Totok Sumaryanto Florentinus1
  • 1: Universitas Negeri Semarang
*Contact email: irmakaet@gmail.com

Abstract

Sasando is a traditional musical instrumen which is played by picked and it comes from Rote Island, East Nusa Tenggara Province (NTT). To maintain the existence of this instrument in order to remain and be attractive in the eyes of the world, the artists of Sasando, Mr. Caro David Abel Edon, held new innovations in accordance with the development of the music world while maintaining their original form. The bamboo is as main material in the collaboration making of traditional and electric sasando. What makes it different can be seen from its shape, main material, size, sound quality and accessories. The purpose of the study is to analyse changes in the Sasando music organology in Kupang, East Nusa Tenggara (NTT). This research methodology used qualitative case study research with ethnomusicology design, primary and secondary data sources, data collection techniques carried out by observation, interview and documentation techniques, data validity using triangulation techniques, data analysis consists of data reduction data presentation and conclusion drawing (verification)