Research Article
Aesthetics of Semar Figure in Ki Sukasman's Wayang Ukur
@INPROCEEDINGS{10.4108/eai.28-10-2020.2315331, author={Yayah Rukiah and Sarwanto Sarwanto and Soetarno Soetarno and Sunardi Sunardi}, title={Aesthetics of Semar Figure in Ki Sukasman's Wayang Ukur}, proceedings={Proceedings of the 1st Konferensi Internasional Berbahasa Indonesia Universitas Indraprasta PGRI, KIBAR 2020, 28 October 2020, Jakarta, Indonesia}, publisher={EAI}, proceedings_a={KIBAR}, year={2022}, month={2}, keywords={aesthetics semar figures wayang ukur}, doi={10.4108/eai.28-10-2020.2315331} }- Yayah Rukiah
Sarwanto Sarwanto
Soetarno Soetarno
Sunardi Sunardi
Year: 2022
Aesthetics of Semar Figure in Ki Sukasman's Wayang Ukur
KIBAR
EAI
DOI: 10.4108/eai.28-10-2020.2315331
Abstract
Wayang is one of the innovations in wayang. Ki Sukasman creates a new wayang creation which is a new theory in the field of Indonesian wayang art. Ki Sukasman conducted several experiments to find the perfection of form in the wayangukur. This article aims to examine the aesthetics of the Semar figure in Ki Sukasman's wayangukur. This study uses an aesthetic approach with a qualitative method. The results obtained are the aesthetics of the shape of the shadow puppets are very different from the wayang kulit in general. Semar in Ki Sukasman's wayang measuring refers to the anatomy of the human body which is depicted in real terms.
Copyright © 2020–2024 EAI