Research Article
Tayub Dance within the Realm of Karo Ritual of Ngadas Village Tenggerese
@INPROCEEDINGS{10.4108/eai.23-3-2019.2284938, author={M A Nurmansyah and F N Setiawan and S V Eka and R Nufiarni}, title={Tayub Dance within the Realm of Karo Ritual of Ngadas Village Tenggerese}, proceedings={First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019}, publisher={EAI}, proceedings_a={ICEL}, year={2019}, month={7}, keywords={tayub dance hybrid-design aesthetic negotiation conformity strategy the inner/outer circle}, doi={10.4108/eai.23-3-2019.2284938} }- M A Nurmansyah
F N Setiawan
S V Eka
R Nufiarni
Year: 2019
Tayub Dance within the Realm of Karo Ritual of Ngadas Village Tenggerese
ICEL
EAI
DOI: 10.4108/eai.23-3-2019.2284938
Abstract
Karo ritual was performed differently by Tenggerese in Ngadas; they inserted Tayub dance within the sacred ritual. Thus, this article aims at examining the “newly-structured” Karo ritual performance and interpreting its function for millennials in the Tenggerese inner circle. Also, this article pictures the role of the ritual for other people from different cultural backgrounds living side by side with the Tenggerese. Through an in-depth interviewing data collection and non-participatory observation, it is found that the “hybrid," the mixture of Karo and Tayub dance, is used as a medium of value negotiation among generations involved in the ritual. It also demonstrates a conformity strategy of Tenggerese in Ngadas who try to live inclusively in the landscape of different cultural groups. Therefore, the “hybrid” is understood as ritual performance management designed by Tenggerese in Ngadas due to its position to the inner and outer circles of the community.