Research Article
Customary Wedding Ceremony Philoshopy: A Case Study of “Kamajaya-Kamaratih” Style in Onggosoro Borobudur Central Java
@INPROCEEDINGS{10.4108/eai.21-12-2018.2282739, author={N Zaidah and M Jazuli and Dharsono Dharsono and Sunarto Sunarto}, title={Customary Wedding Ceremony Philoshopy: A Case Study of “Kamajaya-Kamaratih” Style in Onggosoro Borobudur Central Java}, proceedings={2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia}, publisher={EAI}, proceedings_a={WOL2SED}, year={2019}, month={3}, keywords={philosophy; ceremony; kamajaya-kamaratih}, doi={10.4108/eai.21-12-2018.2282739} }- N Zaidah
M Jazuli
Dharsono Dharsono
Sunarto Sunarto
Year: 2019
Customary Wedding Ceremony Philoshopy: A Case Study of “Kamajaya-Kamaratih” Style in Onggosoro Borobudur Central Java
WOL2SED
EAI
DOI: 10.4108/eai.21-12-2018.2282739
Abstract
This is a case study research based on the custom of Onggosoro Borobudur people in Central Java. This research is going through the multi-disciplinary studies about chronological, historical, meaning and art. This Kamajaya-Kamaratih style wedding ceremony is based on the cultural belief of the community as a myth, therefore, it is taken as the philosophy of marriage of the community. This wedding ceremony is different from the Surakarta and Yogyakarta style. We can see the differences on the sequence of the ceremony, the wedding attire, the make up, the jewelries, the wedding equipments, also the ceremonial order. This is a descriptive-qualitative research with the accurate source of data to be scientifically processed and served. This Kamajaya-Kamaratih style wedding ceremony is the multi-layer entity going through semiotic approach to understand the philosophy contained as the aesthtetic and the expression of the diversity of art in Indonesian culture