2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia

Research Article

Superlative Sign Typology of Curahan Hati – Harapan Warga Jakarta Political Advertising Video

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  • @INPROCEEDINGS{10.4108/eai.21-12-2018.2282712,
        author={J Suryono and P I Astuti and N T Rahayu and M Widayati and Hariyanto Hariyanto},
        title={Superlative Sign Typology of Curahan Hati -- Harapan Warga Jakarta Political Advertising Video},
        proceedings={2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia},
        publisher={EAI},
        proceedings_a={WOL2SED},
        year={2019},
        month={3},
        keywords={political advertisement video;  confession;  superlative sign},
        doi={10.4108/eai.21-12-2018.2282712}
    }
    
  • J Suryono
    P I Astuti
    N T Rahayu
    M Widayati
    Hariyanto Hariyanto
    Year: 2019
    Superlative Sign Typology of Curahan Hati – Harapan Warga Jakarta Political Advertising Video
    WOL2SED
    EAI
    DOI: 10.4108/eai.21-12-2018.2282712
J Suryono1,*, P I Astuti1, N T Rahayu1, M Widayati1, Hariyanto Hariyanto1
  • 1: University of Veteran Bangun Nusantara
*Contact email: jokowignyo@univetbantara.ac.id

Abstract

The article highlights the meaning construction phenomenon from a political advertising video entitled Curahan Hati - Harapan Warga Jakarta (Confession – Expectation from Jakarta People) through a hyper-semiotics analysis. It aims to describe the hyper-reality sense based on a number of sign typologies, which include proper sign, pseudo sign, false sign, recycled sign, artificial sign, and superlative sign. It adopted a Qualitative method for the study. The data source derived from 41 frames of the political advertising video’s scenes that show Jakarta people’s daily life. A Content Analysis was deployed as the data collecting technique. The findings revealed that the political advertising video entitled Curahan Hati - Harapan Warga Jakarta had utilized superlative sign domination, as it was designed to create a multiplicity of hyperbolic sense for the sake of political imagery