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2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia

Research Article

Tarek Pukat Dance from Aceh: Representation of the Beauty of Coastal Culture

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  • @INPROCEEDINGS{10.4108/eai.21-12-2018.2282710,
        author={Joesana Tjahjani},
        title={Tarek Pukat Dance from Aceh: Representation of the Beauty of Coastal Culture},
        proceedings={2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia},
        publisher={EAI},
        proceedings_a={WOL2SED},
        year={2019},
        month={3},
        keywords={aceh; coastal culture; representation; traditional dance},
        doi={10.4108/eai.21-12-2018.2282710}
    }
    
  • Joesana Tjahjani
    Year: 2019
    Tarek Pukat Dance from Aceh: Representation of the Beauty of Coastal Culture
    WOL2SED
    EAI
    DOI: 10.4108/eai.21-12-2018.2282710
Joesana Tjahjani1,*
  • 1: Universitas Indonesia
*Contact email: tjahjani.joesana@gmail.com

Abstract

Besides being famous for its culinary delights and exotic natural beauty, Aceh is also famous for traditional dances. Among the many dances originating from Aceh, Tarek Pukat is a dance that is often performed during traditional ceremonies or cultural events, both in domestic and international levels. Tarek Pukat dance has a deep meaning for coastal communities, especially for fishermen. The departure of the procession, throwing the net into the sea, drawing the net, and the even distribution of catch are included as a series of fishing activities. In this article, Tarek Pukat dance is read as text and analyzed using the semiotic structural approach of Roland Barthes. The seven or more Tarek Pukat dancers, traditional costumes and accessories, a series of dance moves, and a musical accompaniment are read as signs that represent the relationship and harmonious spirit of the cooperation between the coastal communities of Aceh

Keywords
aceh; coastal culture; representation; traditional dance
Published
2019-03-27
Publisher
EAI
http://dx.doi.org/10.4108/eai.21-12-2018.2282710
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