Research Article
Kèjhung Maduresse as Expression of Cultural Symbol Bhabulangan
@INPROCEEDINGS{10.4108/eai.21-12-2018.2282655, author={M Badrih and H Busri and Hamiddin Hamiddin and A S Ahya}, title={K\'{e}jhung Maduresse as Expression of Cultural Symbol Bhabulangan}, proceedings={2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia}, publisher={EAI}, proceedings_a={WOL2SED}, year={2019}, month={3}, keywords={semiotics; k\'{e}jhung; oral literature; symbols maduresse}, doi={10.4108/eai.21-12-2018.2282655} }
- M Badrih
H Busri
Hamiddin Hamiddin
A S Ahya
Year: 2019
Kèjhung Maduresse as Expression of Cultural Symbol Bhabulangan
WOL2SED
EAI
DOI: 10.4108/eai.21-12-2018.2282655
Abstract
Humans as animal simbolicum always try to transfer their knowledge into various forms of symbols. It is intended that the noble message existing in the symbol can be interpreted based on the level of knowledge, time, and environment. The form of symbol can be verbal and non-verbal. Verbal symbol is everything that is delivered through oral, while non-verbal symbols can be objects, movements, even colors. Those symbols become the traditions of the local community and they are claimed as collective ownership. The message of symbols is not only for them but also for the next generations. As part of a verbal expression, kèjhung consist of intellectual, emotional, and even spiritual symbol of Maduresse man
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