Research Article
Ideology of Bedhayan Dance in Surakarta in Globalization Era
@INPROCEEDINGS{10.4108/eai.20-9-2019.2296835, author={Sawitri Sawitri and Bani Sudardi and Wakit Abdullah and I Nyoman Chaya}, title={Ideology of Bedhayan Dance in Surakarta in Globalization Era}, proceedings={Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia}, publisher={EAI}, proceedings_a={BASA}, year={2020}, month={6}, keywords={ideology bedhayan globalization}, doi={10.4108/eai.20-9-2019.2296835} }- Sawitri Sawitri
Bani Sudardi
Wakit Abdullah
I Nyoman Chaya
Year: 2020
Ideology of Bedhayan Dance in Surakarta in Globalization Era
BASA
EAI
DOI: 10.4108/eai.20-9-2019.2296835
Abstract
Culture is born from an artist/a choreographer’s idea and thought. Bedhayan is a dance performed in group by minimally five dancers and maximally unlimited number of dancers corresponding to the theme and message to be delivered by artist/choreographer, while its makeup and fashion are varying corresponding to the character performed. Data was collected using descriptive qualitative method with interview, book, journal, document, photograph, video, magazine, and etc. Choreographers have ideology in creating their work as the artists’ self actualization, existence, economic welfare, innovation and art creativity. Ideology contained in bedhayan is also an answer to art and work that will keep evolving along with the time development. Globalization affects human’s mindset. Globalization current cannot be warded off as the development is a flowing process. The change of mindset affects human’s work.
