Textual Analysis of Directive Speech Acts on “Andung” Existence as Oral and Original Traditional Culture and Literature of Tobanese (A Case Study on Tobane relatives of Distric of Dolok Sanggul, Humbang Hasundutan Regency)

Textual Analysis of Directive Speech Acts Found on “Andung” Existence as Oral and Original Traditional Culture and Literature of Tobanse is explained. The study is aimed to find out the phenomenon and textual (contour, melody, style) of directive speech acts of Andung by the relatives of Tobanese including during mourning ceremony. It is a kind of lamentation art usually expressed during a ceremony. It is also a combination among crying, speaking and singing in sorrow. Andung itself will be more dramatic because it is usually expressed repeatedly. But not everyone is accustomed and skilled in it. Some people argue, this expression of sadness is not something that is learned. It is a psychological innate of a person who has a sensitive heart and is supported by the expressive nature he/she has. The source of the data is three videos of ceremony provided that contain sadness of mourning ceremony. The data is all the utterances that expressed by the relatives during the ceremony being running on. Having conducted an analysis , it is found that according to the melody there are five ways of expressing Andung art, they are : repetitive, interative, reverting, stropic and progressive. According to the contours, it is found that there are five form of Andung art, they are : ascending, descending, pendulous, terraced and static. Andung art is only the sound of crying coming out without it accompanied by music/musician.