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ct 21(27): e1

Research Article

Gesture Sonification. An Interaction Design Approach to an Artistic Research Case

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  • @ARTICLE{10.4108/eai.19-3-2021.169036,
        author={P. Polotti and M. Goina},
        title={Gesture Sonification. An Interaction Design Approach to an Artistic Research Case},
        journal={EAI Endorsed Transactions on Creative Technologies},
        volume={8},
        number={27},
        publisher={EAI},
        journal_a={CT},
        year={2021},
        month={3},
        keywords={sonic interaction design, basic design, artistic research, sonification, embodiment, enaction},
        doi={10.4108/eai.19-3-2021.169036}
    }
    
  • P. Polotti
    M. Goina
    Year: 2021
    Gesture Sonification. An Interaction Design Approach to an Artistic Research Case
    CT
    EAI
    DOI: 10.4108/eai.19-3-2021.169036
P. Polotti1,*, M. Goina2
  • 1: Department of New Musical Languages - Conservatory of Music G. Tartini, Trieste, Italy
  • 2: Fondazione Teatro Lirico Giuseppe Verdi, Trieste, Italy
*Contact email: pietro.polotti@conts.it

Abstract

INTRODUCTION: The subject of this paper is a phenomenological study of cognitively plausible relationships between gesture and sound mediated by technologies. In this discussion, the term ‘gesture’ indicates a movement of the body consciously performed and able to express or communicate something. The expression ‘cognitively plausible’ refers to an interactive sound response that is immediate, continuously varying and enactively coherent with the generating (sonified) gesture.

OBJECTIVES: The objectives of this paper are two. The first is an artistic exploration of gesture sonifications in various contexts. The second is rather methodological, i.e., to provide a possible general paradigm for Artistic Research (AR).

METHODS: More in detail, the AR phenomenological approach is modeled according to an Interaction Design (IxD) research paradigm.

RESULTS: A number of case studies of gesture sonification are presented and discussed according to the above methodological framework.

CONCLUSION: We claim that the introduction of such methodological framework was successful in terms of providing robust guidelines for our research and for a clear and structured presentation of its results.

Keywords
sonic interaction design, basic design, artistic research, sonification, embodiment, enaction
Received
2020-11-24
Accepted
2021-03-03
Published
2021-03-19
Publisher
EAI
http://dx.doi.org/10.4108/eai.19-3-2021.169036

Copyright © 2021 P. Polotti et al., licensed to EAI. This is an open access article distributed under the terms of the Creative Commons Attribution license, which permits unlimited use, distribution and reproduction in any medium so long as the original work is properly cited.

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