Research Article
Toward anticipatory ubimus
@ARTICLE{10.4108/eai.13-7-2018.164664, author={Dami\^{a}n Keller and Ivan Simurra and Marcello Messina}, title={Toward anticipatory ubimus}, journal={EAI Endorsed Transactions on Creative Technologies}, volume={7}, number={24}, publisher={EAI}, journal_a={CT}, year={2020}, month={5}, keywords={anticipatory ubimus, semantics, creative surrogates, dialogics}, doi={10.4108/eai.13-7-2018.164664} }- Damián Keller
Ivan Simurra
Marcello Messina
Year: 2020
Toward anticipatory ubimus
CT
EAI
DOI: 10.4108/eai.13-7-2018.164664
Abstract
This paper explores the emerging initiatives in ubiquitous music research that employ anticipatory systems. We provide a short introduction to the ubimus field, highlighting the differences with other technologically based approaches to music making. One of the objectives of ubimus research is to expand the range of the stakeholders that participate in creative music making. This is achieved through the development of metaphors for creative action by means of sociotechnical systems that target creativity, including ecologically based creative practices, interaction aesthetics, computational thinking and dialogics applied to music. Another objective entails a push for new forms of music making through the reappropriation of extant technologies or through the design and deployment of new behavioral, material or social resources tailored for ubiquitous music ecologies. Nevertheless, so far, few projects have considered the future creative actions as an object of research. This is the aim of anticipatory ubiquitous music.
Copyright © 2020 Damián Keller et al., licensed to EAI. This is an open access article distributed under the terms of the Creative Commons Attribution license (http://creativecommons.org/licenses/by/3.0/), which permits unlimited use, distribution and reproduction in any medium so long as the original work is properly cited.
