Research Article
Batik Tulis Paseban in Visual Perspective
@INPROCEEDINGS{10.4108/eai.12-12-2020.2305009, author={Roni Nursyamsu and Jerry Dounald R and Rika Nugraha}, title={Batik Tulis Paseban in Visual Perspective}, proceedings={Proceedings of the 1st Universitas Kuningan International Conference on Social Science, Environment and Technology, UNiSET 2020, 12 December 2020, Kuningan, West Java, Indonesia}, publisher={EAI}, proceedings_a={UNISET}, year={2021}, month={3}, keywords={batik; visual perspective; paseban}, doi={10.4108/eai.12-12-2020.2305009} }- Roni Nursyamsu
Jerry Dounald R
Rika Nugraha
Year: 2021
Batik Tulis Paseban in Visual Perspective
UNISET
EAI
DOI: 10.4108/eai.12-12-2020.2305009
Abstract
Batik craft has long been developed in Indonesia, in terms of distribution, especially West Java. It has its own uniqueness both from the philosophical foundation, the types of ornamentation, the name of the ornament and the market share of its users. The spread of Sundanese batik based on the administrative region of West Java occurred grouping of motifs on batik works due to the visual style displayed. There is a coastal influence on Batik Cirebon, Indramayu and Kuningan. The types of ornaments found in the Sundanese Batik influence of coastal areas are Geometric Motifs, Human Motifs, Plant Motifs, Animal motifs and Mining motifs. Some researches on Sundanese Batik have been widely studied, but as an area that is influenced by coastal areas, Batik Kuningan has not yet received the full attention of researchers in particular. This research book on Kuningan Batik in Visual Perspective is an awakening of the sensitivity of the community that Kuningan has creativity, aesthetics and art in Batik Craft Art. Visual Literacy is a method carried out so that narrative and visual are formed as a reference for Batik Tulis Paseban in Visual Perspective