Research Article
The Transformation of Hymn Song in Local Church: a Study of Musical Style in Manado
@INPROCEEDINGS{10.4108/eai.11-12-2019.2302108, author={Berehme Adyatmo Purba and Lidya Kandowangko and Siguti Aprinnostein Sianipar and Erwin Sianturi}, title={The Transformation of Hymn Song in Local Church: a Study of Musical Style in Manado}, proceedings={Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia}, publisher={EAI}, proceedings_a={ICCIRS}, year={2020}, month={11}, keywords={local church hymn song music analysis}, doi={10.4108/eai.11-12-2019.2302108} }
- Berehme Adyatmo Purba
Lidya Kandowangko
Siguti Aprinnostein Sianipar
Erwin Sianturi
Year: 2020
The Transformation of Hymn Song in Local Church: a Study of Musical Style in Manado
ICCIRS
EAI
DOI: 10.4108/eai.11-12-2019.2302108
Abstract
Music in the worship of reformed Lutheran and Calvinist churches has a form of music that has been adapted to the ideological basis of the church. The form of hymn song is one of the church doctrines that must be carried out by church members. However, in its development, the reformed churches began to transform with the transform of hymns music arrangements into popular music compositions. So that the hymn song no longer matches the characteristics that are based on the rules of hymnology. There are elements of composition that changedthe form of melodic accompaniment, the develop popular rhythms, minimizing the progression of harmony, and have implications for changes in the structure of song form. The tendency of music in the church also prioritizes popular music aesthetics, at the same time considering the essence of thesong hymns. On the other hand, the arrangement of components in the hymn song to trigger the attraction and motivate the congregation in creative worship. Especially for young people in unstable and frequently move in varying churches. So that, hymn song, transforming to reach them and stimulate their enthusiasm in worship. This research is expected to be useful in the field of church music, especially music analysis studies, and rely on a social-cultural perspective to learn the current disruptive era.