Hopfield’s Model of Patterns Recognition and Laws of Artistic Perception

Igor Yevin; Alexander Koblyakov

Complex Sciences. First International Conference, Complex 2009, Shanghai, China, February 23-25, 2009, Revised Papers, Part 2

Research Article

Hopfield’s Model of Patterns Recognition and Laws of Artistic Perception

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@INPROCEEDINGS{10.1007/978-3-642-02469-6_96,
    author={Igor Yevin and Alexander Koblyakov},
    title={Hopfield’s Model of Patterns Recognition and Laws of Artistic Perception},
    proceedings={Complex Sciences. First International Conference, Complex 2009, Shanghai, China, February 23-25, 2009, Revised Papers, Part 2},
    proceedings_a={COMPLEX PART 2},
    year={2012},
    month={5},
    keywords={Wundt curve ambiguity musical tonality catastrophe theory},
    doi={10.1007/978-3-642-02469-6_96}
}

Igor Yevin
Alexander Koblyakov
Year: 2012
Hopfield’s Model of Patterns Recognition and Laws of Artistic Perception
COMPLEX PART 2
Springer
DOI: 10.1007/978-3-642-02469-6_96

Igor Yevin¹^,*, Alexander Koblyakov²

1: Russian Academy of Sciences
2: Moscow State Conservatory

*Contact email: yevin@list.ru

Abstract

The model of patterns recognition or attractor network model of associative memory, offered by J.Hopfield 1982, is the most known model in theoretical neuroscience. This paper aims to show, that such well-known laws of art perception as the Wundt curve, perception of visual ambiguity in art, and also the model perception of musical tonalities are nothing else than special cases of the Hopfield’s model of patterns recognition.

Keywords: Wundt curve ambiguity musical tonality catastrophe theory

Published: 2012-05-11

: http://dx.doi.org/10.1007/978-3-642-02469-6_96