Intelligent Technologies for Interactive Entertainment. Third International Conference, INTETAIN 2009, Amsterdam, The Netherlands, June 22-24, 2009. Proceedings

Research Article

Interactive Documentary: A Production Model for Nonfiction Multimedia Narratives

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  • @INPROCEEDINGS{10.1007/978-3-642-02315-6_5,
        author={Insook Choi},
        title={Interactive Documentary: A Production Model for Nonfiction Multimedia Narratives},
        proceedings={Intelligent Technologies for Interactive Entertainment. Third International Conference, INTETAIN 2009, Amsterdam, The Netherlands, June 22-24, 2009. Proceedings},
        proceedings_a={INTETAIN},
        year={2012},
        month={5},
        keywords={Documentary ontology authoring media production cognitive architecture oral tradition GUI interaction design},
        doi={10.1007/978-3-642-02315-6_5}
    }
    
  • Insook Choi
    Year: 2012
    Interactive Documentary: A Production Model for Nonfiction Multimedia Narratives
    INTETAIN
    Springer
    DOI: 10.1007/978-3-642-02315-6_5
Insook Choi1,*
  • 1: New York City College of Technology of the City University of New York
*Contact email: ichoi@CityTech.CUNY.edu

Abstract

This paper presents an interactive production model for nonfiction multimedia, referred to as interactive documentary. We discuss the design of ontologies for authoring interactive documentary. A working prototype supports the use of reasoning for retrieving, composing, and displaying media resources in real-time. A GUI is designed to facilitate concept-based navigation which enables queries across media resources of diverse types. A dual-root-node data design links ontological reasoning with metadata, which provides a method for defining hybrid semantic-quantitative relationships. Our application focuses on archiving and retrieving non-text based media resources. The system architecture supports sensory-rich display feedback with real time interactivity for navigating documents’ space. We argue an experience of narratives evolves through the performitivity in the interactive narrative structure when the constituents are mediated by common ontology. The consequential experience identifies a renewed practice of oral tradition where the accumulative sensorial propositions inform narratives, such as in performance practice.