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ArtsIT, Interactivity and Game Creation. 12th EAI International Conference, ArtsIT 2023, São Paulo, Brazil, November 27-29, 2023, Proceedings, Part II

Research Article

Presenting the Testimonial in Multimedia Documentaries

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BibTeX Plain Text
  • @INPROCEEDINGS{10.1007/978-3-031-55312-7_19,
        author={Kenneth Feinstein},
        title={Presenting the Testimonial in Multimedia Documentaries},
        proceedings={ArtsIT, Interactivity and Game Creation. 12th EAI International Conference, ArtsIT 2023, S\"{a}o Paulo, Brazil, November 27-29, 2023, Proceedings, Part II},
        proceedings_a={ARTSIT PART 2},
        year={2024},
        month={3},
        keywords={documentary installation media art interface testimony performativity otherness},
        doi={10.1007/978-3-031-55312-7_19}
    }
    
  • Kenneth Feinstein
    Year: 2024
    Presenting the Testimonial in Multimedia Documentaries
    ARTSIT PART 2
    Springer
    DOI: 10.1007/978-3-031-55312-7_19
Kenneth Feinstein1,*
  • 1: Sunway University, No. 5, Jalan Universiti, 47500
*Contact email: kenf@sunway.edu.my

Abstract

This paper looks at two multi-media documentary projects one in Portugal and the other a developing work in Malaysia. It will look at relationship of the documentary to the bearing witness of the subject. Form the will look at the ethical underpinnings of this. From there we will look at how this ethical relationship between the subject bearing witness and the audience changes into a new form within the installation. We will see how the new form of installation documentary is based on an idea of presence and how that leads to the work bringing forward a relationship of the viewer to the witness as a one ethical responsibility to the other. From there we will look at two examples of installation documentaries one completed in Lisbon in 2022 and the other in Sarawak, Malaysia is an ongoing project to see how these considerations are used to design new works.

In looking at these two projects we will see concepts of direct testimonial found in documentary come into direct conflict with the interviewees sense of governmental repercussions. We will ask if it is possible to create a documentary work that has a greater sense of presence while having to face the need of anonymity by interviewees. From this we will draw some conclusions and look forward to how this experience can help in future works.

Keywords
documentary installation media art interface testimony performativity otherness
Published
2024-03-21
Appears in
SpringerLink
http://dx.doi.org/10.1007/978-3-031-55312-7_19
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