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ArtsIT, Interactivity and Game Creation. Creative Heritage. New Perspectives from Media Arts and Artificial Intelligence. 10th EAI International Conference, ArtsIT 2021, Virtual Event, December 2-3, 2021, Proceedings

Research Article

Resonant Webs: An International Online Collaborative Arts Performance for Individuals with and without a Disability

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  • @INPROCEEDINGS{10.1007/978-3-030-95531-1_18,
        author={Jonathan Duckworth and Shigenori Mochizuki and Ross Eldridge and James Hullick},
        title={Resonant Webs: An International Online Collaborative Arts Performance for Individuals with and without a Disability},
        proceedings={ArtsIT, Interactivity and Game Creation. Creative Heritage. New Perspectives from Media Arts and Artificial Intelligence. 10th EAI International Conference, ArtsIT 2021, Virtual Event, December 2-3, 2021, Proceedings},
        proceedings_a={ARTSIT},
        year={2022},
        month={2},
        keywords={Interactive art Disability Sonic arts Participation Interaction design},
        doi={10.1007/978-3-030-95531-1_18}
    }
    
  • Jonathan Duckworth
    Shigenori Mochizuki
    Ross Eldridge
    James Hullick
    Year: 2022
    Resonant Webs: An International Online Collaborative Arts Performance for Individuals with and without a Disability
    ARTSIT
    Springer
    DOI: 10.1007/978-3-030-95531-1_18
Jonathan Duckworth1,*, Shigenori Mochizuki2, Ross Eldridge1, James Hullick
  • 1: School of Design
  • 2: College of Image Arts and Sciences
*Contact email: jonathan.duckworth@rmit.edu.au

Abstract

In this paper we discuss the creation of an international online sound arts performance developed in collaboration between artists in Australia and Japan. The COVID-19 global pandemic has made community activities related to the arts more challenging due to restrictions on personal mobility and international travel. We report on a hybrid workshop approach that combines online and face-to-face interaction, which has enabled sound artists with intellectual disability to participate in activities with international outreach. Specifically, we describe the design and technological implementation of a live performance and an interactive audio-visual artwork that translates audio data to visual effect from an Australian ensemble of sound art musicians with intellectual disability, and a professional Japanese Noh singer and performer. Based on the artists initial reflections in developing the performance we discuss opportunities and advantages of online digital spaces for international collaboration and co-creation in community arts contexts that may be utilised in the future.

Keywords
Interactive art Disability Sonic arts Participation Interaction design
Published
2022-02-10
Appears in
SpringerLink
http://dx.doi.org/10.1007/978-3-030-95531-1_18
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