Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making

Federica Bressan; Acatia Finbow; Tim Vets; Micheline Lesaffre; Marc Leman

Interactivity, Game Creation, Design, Learning, and Innovation. 6th International Conference, ArtsIT 2017, and Second International Conference, DLI 2017, Heraklion, Crete, Greece, October 30–31, 2017, Proceedings

Research Article

Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making

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@INPROCEEDINGS{10.1007/978-3-319-76908-0_1,
    author={Federica Bressan and Acatia Finbow and Tim Vets and Micheline Lesaffre and Marc Leman},
    title={Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making},
    proceedings={Interactivity, Game Creation, Design, Learning, and Innovation. 6th International Conference, ArtsIT 2017, and Second International Conference, DLI 2017, Heraklion, Crete, Greece, October 30--31, 2017, Proceedings},
    proceedings_a={ARTSIT \& DLI},
    year={2018},
    month={3},
    keywords={Interactive art Aesthetic experience Conservation Documentation Digital humanities},
    doi={10.1007/978-3-319-76908-0_1}
}

Federica Bressan
Acatia Finbow
Tim Vets
Micheline Lesaffre
Marc Leman
Year: 2018
Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making
ARTSIT & DLI
Springer
DOI: 10.1007/978-3-319-76908-0_1

Federica Bressan¹^,*, Acatia Finbow^,*, Tim Vets¹^,*, Micheline Lesaffre¹^,*, Marc Leman¹^,*

1: Ghent University

*Contact email: federica.bressan@ugent.be, af406@exeter.ac.uk, tim.vets@ugent.be, micheline.lesaffre@ugent.be, marc.leman@ugent.be

Abstract

This article presents the preliminary results of an exploratory experiment with BilliArT, an interactive installation for music-making. The aim is to extract useful information from the combination of different ways to approach to the art work, namely that of conservation, of the aesthetic experience, and of the artistic creativity. The long-term goal is to achieve a better understanding of how people engage with interactive installations, and ultimately derive an ontology for interactive art.

Keywords: Interactive art Aesthetic experience Conservation Documentation Digital humanities

Published: 2018-03-08
Appears in: SpringerLink

: http://dx.doi.org/10.1007/978-3-319-76908-0_1